Film making is as complicated a domain as it is creative. There are so many nitty gritties to it that it can always become a very difficult situation to understand and identify how to precede. For the most part, many people state that good films can be made by:
a. An in born talent who can spot what to film and when
b. Great set of matte box
c. Lots of money to travel to various locations for a good shot.
However, all of the above are FALSE.
This is not to say that you do not need to be talented or you can do great with a good broadcast matte box or that you can thrive in this industry without any money, but what we are trying to say is that these pointers are not the sole reasons for the success of a movie.
Of course, these are all helpful features which can be attributed to every successful film maker but they are not indispensible. You have to understand that probably the biggest mistake that people make in this field is to leave everything to the equipments.
Remember that film making is an art and the people who watch the film are there to look at how you can represent any particular subject, and not how successful or effective the apparatus are. Every film must have a bit of your own identity in it to make is special.
Let’s see some other big mistakes that people make in the field of film making so that when you are making some, you can stop yourself right there.
Too much in too little
Everyone wants to flaunt all that they can. But for a camera person it might just be the recipe to disaster. If you try to show all the effects of your camera in one particular frame of shot, you will only end up irritating the viewer. Give them some cleanliness and some space to be able to appreciate what you are actually focusing on. Try not to sell the camera or the lens. Just sell the subject of your film.
Sometimes, in order to keep things simple, the film makers forget to give multiple perspectives to the subject. You should at least have two perspectives of the subject and maximum three to keep things more real. By sharing a trifold perspective you actually help our audience to step closer to the subject in question.
Focus on the entire action
Don’t corner an important action just because you want to shift from mainstream videography. Say for example, if you are covering a cricket match, remember to focus on the ball. Looking at the audience once in a while is okay, but focusing on them when the wicket is about to fall, is not a wise thing to do.
You are here to give the audience what they want to see. So make sure that you first understand and appreciate what the audience is looking for. Give them any different and they will not come back to your videos.
The crux of good video making lies in efficient and wholesome research. Once you can do that successfully there is no way you can go wrong. Stay dedicated to your profession; and study your predecessors for best results and proper guidance.
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